Inside "Underneath the Stars on a Tokyo Rooftop"
"Underneath the Stars on a Tokyo Rooftop" captures the essence of lo-fi cinematic music, painting a tranquil scene of a rooftop bathed in starlight. As the city hums softly below, the sound of jazz piano mingles with gentle cello strokes, creating an atmosphere of contemplation and nostalgia. This composition invites you to lose yourself in the magic of a Tokyo night, where every note inspires creativity and reflection.
Also on SoundCloud
Stream the track on SoundCloud or click through to add it to your playlists.
Open on SoundCloudDownload "Underneath the Stars on a Tokyo Rooftop"
Royalty-free MP3. Free for commercial use on YouTube, podcasts, vlogs, and games with attribution.
Get free downloadFrequently Asked Questions
Can I use "Underneath the Stars on a Tokyo Rooftop" in my YouTube videos commercially?
Yes. All tracks on FreeVibeVault, including "Underneath the Stars on a Tokyo Rooftop", are released under the Creative Commons CC BY 4.0 license. Commercial use is fully allowed (monetized YouTube, paid podcasts, client work, ads) as long as you provide attribution. Read the full license terms →
Do I need to credit the artist?
Yes. Add this to your video description or podcast show notes: Music by FreeVibeVault via FreeVibeVault (and link back if possible).
What format is the file in, and how long is "Underneath the Stars on a Tokyo Rooftop"?
The audio file is delivered as MP3 (320 kbps when available). Duration: 224 seconds. You can re-encode it to any format your editor needs.
Can I edit or remix this track for my own project?
Yes. Under CC BY 4.0 you can shorten it, layer effects, loop it, change tempo, or use it as part of a larger composition. Attribution is still required.
Are there any restrictions I should know about?
Three things: (1) attribution is required (above); (2) you cannot claim you wrote the music or block others from using it; (3) you cannot redistribute the raw audio file as standalone music on a competing library. Beyond that, use it freely.
